Months ago I wrote a grant proposal that I wanted to create night images that went beyond what I have been doing for the last three years, which is photographing scenes lit only by moonlight, or street lights or whatever source was already there illuminating the image I was making. My paperwork stated I'd now be working in a new way, adding my own light sources, and make a limited edition of 16"x24" archival pigment prints so please give me the money for a wide bed printer....and so they did. Now, beyond the steep learning curve of this new printer which is still in its very large box taking up much of my work room because I can't bear to deal with it, I had no idea what was gonna get lit up in the dark...
More about the series I'm about to explore in Pennsyvania, where I grew up, in a few days once I start it, but for now, here is last nights re-shoot of something I did in Maryland where I stayed for a few day earlier this month and again last night on my way north. After a lovely supper with his family, my photo friend Scott Robinson whom I've know since our days in the trenches called Los Angeles, and I re-shot this because I didn't like what I was wearing in the first version...hadn't paid attention to "wardrobe."
The important lesson for me to remember here is the need to sometimes really push yourself into action to get out the gear, set it up and know you'll hit stride, although it's late at night, you've had a bit of wine, and would rather just talk about maybe re-shooting some other time.
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